Код західноєвропейського відродження у романі Айріс Мердок «Свята і гріховна машина кохання»
Keywords:
allusion, duality, dichotomy, neoplatonismAbstract
The article is devoted to the analysis of cultural code changes of Renaissance poetics in British novel of the 20th century. Playing up the specificity of existential philosophic novel “The Sacred and Profane Love Machine” by I. Murdoch on the inner level leads to anticanonocity, intertextual tangle of artistic realities, allusion images-symbols, different interpretations of the same source, new reality formation and its subsequent breach.Downloads
References
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